"This self-released jewel [is] much too good to be overlooked. In fact it's awesome and just what I needed after an endless pile of Rockabilly CDs that overall were too similar to produce any real standouts and contained somewhat marginal songwriting....Enough whining, there's nothing to complain about with this release. It's the real deal, Honky Tonk Country with intelligent, totally heartfelt lyrics, great production & sound, singing and picking....There are rockers and slower Country numbers filled with real life stories that are haunting....It's a great, mature release."
- Blue Suede News # 77


"Voted Austin's Best New Band of 2005, the Texas Sapphires have a secret weapon named Arty Hill in the unlikely city of Baltimore. While Sapphires orginals like 'Emerald Outlaw' and "Break this Fool' are potent enough, Hill's stone-cold 'Driftin' In' and the lowdown 'Bring out the Bible (We Ain't got a Prayer)'...mark the high point of the Sapphires' debut."
- Texas Music


The Houston Press just gave a great review to "Valley So Steep," the new CD from my good bud, Billy Brent Malkus and his band, the Texas Sapphires. The CD includes their really cool versions of my songs "Driftin In" and "Bring out the Bible (We Ain't Got A Prayer)."

William Michael Smith of the Houston Press said, among other things: "If honky-tonk has a future, hopefully it will sound a lot like "Driftin' In" or "Bring Out the Bible (We Ain't Got a Prayer)."

To read the full review, go to The Houston Press

 


"Arty Hill's songs are salted with tears and steeped in the rich brew of classic country and western that, in the right hands, never loses its power. Shaded from the glare of Nashville's bright lights, Hill draws inspiration from the streets of Baltimore, and his tunes should be in heavy rotation on every jukebox in every corner tavern in town..."
- John Lewis, Baltimore Magazine

 


"[Arty Hill and the Long Gone Daddys are] firmly rooted in the country traditions of Hank Williams and George Jones, yet find equal footing in the earth quakin' rattle of Sun-era rockabilly...[T]hese guys make classic Texas singer/songwriter country and honky-tonk much like Austin's super-group Heybale! It's good fun if youre looking to move your feet, and good for listening too as Hill's story tunes are as catchy as the ones that jump.
- Miles of Music

 


"Tompall Glaser and Harlan Howard's "The Streets of Baltimore" has reigned as the Official Baltimore Country Song for decades, but [in Arty Hill's "I Left Highlandtown"] there's a respectable rival... Like the rest of the Hill originals on the new "Back on the Rail," it slaps lyrics that'd impress at any guitar pull on top of the kind of basic Tele-twang-and-shuffle backing custom-built for red-lit barrooms."
-Lee Gardner, Baltimore City Paper

 


"Jackson Shake, Drifting In, and Back On The Rail perfectly deliver that jumping old country vibe so many try to nail and so many fail at. Great songs, great production, and great singing/picking - it's all here. And pay close attention to Tammerlane. It is a masterpiece."
- Jason Ringenberg / Farmer, Musician
(formerly of Jason & The Scorchers)

 


[Arty Hill's] versions of Hank Williams gospel favorites were favorites of many in the crowd at the Hank Williams 82nd Birthday Celebration. Later that night, a gathering of new fans sang with him at a local watering hole. We look forward to seeing Arty again soon....his country sound was right up our alley.
- Beth Birtley/Manager
Hank Williams Museum, Montgomery, AL

 


"Real music hasn't gone anywhere: it's right here. Have a listen and you'll see what I mean."
-Mike Vogel / (from the liner notes to "Back on the Rail")

 


"[Arty Hill and the Long Gone Daddys] make music in the spirit of classic country - Hank Williams, Johnny Cash - but add a strong dose of '50s rockabilly to the mix. It's the kind of music that makes you alternatively want to get up and throw your sweetheart around the dance floor and drown your sorrows in another pint of beer."
- Style Magazine

 


"[Arty Hill's] music is grounded, genuine. When he sings alone...a vulnerable sweetness emerges and it is hard to resist."
- Nicole Schulteis / The Daily Record

 

 

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